Date & Time
Multiple dates | Weekends | 10.00-17.00
371 Clapham Road
London SW9 9BT
Bring me there
This two day course will teach you the basics of representational oil painting.
This course is open to absolute beginners, beginners and, equally, those wishing to expand their previous painting knowledge into direct painting.
Take home a wealth of knowledge to inspire you and guide you onto your next steps.
This course requires a minimum number of enrolments to run.
Students will learn:
- How to set up an oil painting
- Wet-into-wet as well as wet-on-dry techniques
- How to manipulate oil paint using different brushes (hog vs. synthetic)
- The basics of representational oil painting (drawing, values, edges, etc.)
- Colour mixing
- What to look for when choosing materials
Students will complete two oil paintings over the two days. The goal is not to have a finished painting, but to feel confident painting in oils at home.
Each class is limited to 10 students with ample space to create interesting set-ups. The Workshop Room is located within the main LARA London studio. The lighting is of professional photographic standard, which provides a steady, unchanging environment from which to observe all elements of your chosen subject.
Please bring the following materials with you. Items marked with an asterisk are stocked in the LARA shop. Please call ahead if you would like to reserve items to ensure availability.
Oil Paint: A Basic Palette
- Lead or Titanium White – PW1, PW6
- Cadmium Yellow or Winsor Yellow – – PY 53, PY 74
- Cadmium Red or Bright Red or Windsor Orange – PR 108, PR 254, PO 7
- Alizarin Crimson – PR 83
- Cobalt Blue or Ultramarine Blue – PB 28, PB 29
- Raw Umber – PBr 7
- Ivory Black – PBk 9
- I highly recommend “Old Holland”, “C Roberson”, “Blockx”, “Vasari” and “Winsor and Newton” (cheapest option)
- Balanced wooden arm palette (if you are right handed, please buy a palette designed to be held in the left hand and vice versa.)
- Hog bristle brushes and synthetics brushes (overall a good selection of brushes should be used. The more brushes, the easier it is to keep colour mixes clean. A variety of sizes is essential for handling large areas of the painting as well as small details. However, a set of at least 8 ‘filberts’ and ‘flats’ should be enough to get started. and vice versa)
- Flexible steel palette knife
- Sansodor or other low odour solvent (odourless turpentine substitute for painting)
- Metal dipper for medium
- A good supply of kitchen roll for cleaning brushes
- Something to carry your wet paintings home with on the last day, for example, a canvas carrier. If you are unable to find one, another canvas of the same size can be strapped to the front to keep the painting safe while being transported.
- 2 Small (about the size of your object) panels or canvases – It is advisable to bring 2 canvases of the same size to help transport your painting safely home.
- Some interesting objects to paint: nothing too big (max 30 cm). I advise against patterns and symmetrical forms and spheres for beginners, as they take a while to draw. Organic or soft forms (i.e. plush toy, fruits) are more forgiving to draw. A range of materials is preferred (i.e. fur, glass, metal, wood, fabric, plastic, etc.)